Jencks defines radical eclecticism as "the mixing of different languages to engage different taste cultures and define different functions according to their appropriate mood". In the case of the 60 Wall Street building, this refers to a mixture of traditional architecture and more modern architecture. The columns toward the top of the building reference Greek culture. Columns have been used for centuries to represent a more traditional style of architectural design. The reflective surface of the building, however, is a very modern style of architecture. These two different styles of design also evoke contrasting moods from the viewer; the traditional aspect of the building gives it a very classy look and the modern aspect makes the building feel open and innovative. While the design of the building is radically eclectic, the mixture of styles is seamless enough that it is pleasing to the eye of the viewer.
This style of design is extremely characteristic of Postmodern architecture. It is reminiscent of the past while also incorporating exciting elements of the present. The look of this building is exciting; it playfully flaunts it’s pillars, which jut out of the building and make themselves known. The columns built into the building do not serve any structural purpose; they are simply aesthetic and clearly intended to reference ancient architecture. The mirrored windows that cover the building, the flat top of the building as well as the structure’s height allow it to stand out among all of the surrounding skyscrapers. Postmodernist architects, as well as Postmodernist artists in general, tend to do and create things simply because they can—because they have all of the tools to do so and because it is different and playful. I have begun to come to an understanding that this is largely what Postmodernism is about; pushing boundaries and attracting attention.
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